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Memories, Trips, and Mappings

A Two Person Exhibition by Anthony Huang & Chloe Wack

Galeria Concrete

Wrocław, Poland

May 27 - June 03, 2024

EXHIBITION STATEMENT

This exhibition presents works completed both at the University of Tennessee - Knoxville and works made during this four-week residency by Anthony Huang and Chloe Wack. This two-person exhibition showcases each of the artist’s individual processes of mark-making, abstraction, and distinctive color palette through a shared conceptual exploration of travel and mapping as methods for finding peace and reflection. 

 

Huang’s practice is influenced by the daoist philosophy “Wu Wei” and the idea of “travel and observation” which is a reflection of his need to find mental balance as a city dweller. Wack’s process of tracing and stitching as methods for knowing and recording will be explored primarily through embroidered cyanotype prints. While both artists use different printmaking processes and methods of abstracting images, their shared interest in observation and recording through the experience of this residency will show their attention to placemaking and the process of making art as a way to better know different places and cultures.

 

We would like to thank everyone here at ASP who has been so welcoming to us, in particular

Dr. Zuzanna Dydra, Dr. Mariusz Gorzelak, Dr. Agata Gertchen, Majka Dokudowicz, Jan Kozlowski, Modesta Gorol, Vinicius Libardoni, and The International Relations and Promotion Department who offered us their time and guidance as they graciously welcomed us into their spaces this past week. 

 

We are truly grateful to have the opportunity for this residency and thank all those who continue to make this exchange possible between the University of Tennessee, Knoxville and the Eugeniusz Geppert Academy of Fine Arts. As artists and printmakers, it is important to be reminded we are all part of a global network of printmakers and to be able to see how others create work and to learn from each other.

ARTIST BIOGRAPHY

Anthony Huang

Anthony Huang is a Taiwanese-American artist. He was born in Taipei and raised in Shanghai, China. He received his BA in Journalism at the East China University of Political Science and Law in 2014. After spending time working as a professional ballroom-dancer and theater producer in Shanghai, he moved to the United States where he lived first in Los Angeles, California and then received his first MFA in Illustration at the Savannah College of Art and Design. He recently completed his second graduate degree at the University of Tennessee, Knoxville where he earned an MFA in Studio Art with a concentration in Printmaking.​ This upcoming academic year, he will be starting a position as the Faculty for Printmaking and Drawing at Dallas College, Cedar Valley Campus in Dallas, Texas. 

Huang began printmaking in 2020 and became enamored with the charm of the traditional print processes. The Daoist philosophy influenced his artistic practice – Wu Wei. He's trying to use the idea of Wu Wei to rethink the relationship between urban space and the natural world and how it can create a spiritual sublimation for urban citizens.

Chloe Wack

 

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Chloe Wack (b. 1995) is an multidisciplinary artist based in Knoxville, TN. Her practice spans printmaking, painting, textile, and time-based processes. She received her AFA from Montgomery College at the Takoma Park/Silver Spring campus with a concentration in Graphic Design, she then transferred to Towson University where she received her BFA with a focus in Illustration and Printmaking. Post undergrad, she worked in the commercial printing industry as the Head Embroidery Tech & Shop Assistant at Graphix Haus, small independent print shop outside of Baltimore, MD. Chloe has recently completed her graduate studies at the University of Tennessee, Knoxville where she earned an MFA in Studio Art with a concentration in Printmaking.​

GALLERY MAP

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ABOUT THE WORK – THE MONOTYPE GAME (COLLABORATIVE SERIES) 

During our three years together, we have worked collaboratively with many other members of our graduate cohort - but never with each other. This residency allowed us an opportunity to work together and to practice compromise, communication, and patience during the process - similar to the practice of sharing an apartment or experiencing the unfamiliarity of a new city together.

 

This print series was made over three days and is a visual representation of this collaboration. We devised a set of rules to give us both a structure and permission to experiment. We made a paper fortune teller to select “challenges” for each timed round. We began each print with an introductory round which often included selectively wiping away the base color to allow room for new marks. After each round we rotated the plexiglass 90 degrees so the primary area we were working on was always shifting. After printing each monotype, we added an additional round of drawing with oil pastels and colored pencil to further push our mark making, resolve the composition, and explore how our style had evolved over the series as we introduced new shapes or patterns. This series shows how through the process of working collaboratively we can achieve an end result that neither of us would have reached individually. 

Day 1 - 1/2 that’s how heaven looks like

Round 1: Start The Composition (5 minutes)

Round 2: Challenge: Pick one color for the other person to only use (5 minutes)

Round 3: Challenge: Do not alter more than 50% of the other person’s marks (5 minutes)

Round 4: “Fix” the Composition (7 minutes)


Day 1 - 2/2 Jurassic Park (Egg)
Round 1: Start The Composition (5 minutes)
Round 2: Challenge: Mimic the other person’s marks (7 minutes)

Round 3: Challenge: Use the other person’s color (5 minutes)

Round 4: “Fix” the Composition (5 minutes)

 

Day 2 - 1/2 Four Day Leftover Fantasy
Round 1: Start The Composition (5 minutes)
Round 2: Challenge: Reduction Only (5 minutes)

Round 3: “Fix” the Composition (2 minutes)

Round 4: Challenge: Non-Dominant Hand Only (7 minutes)

Round 5: Challenge: Mimic the other person’s marks but keep your own style (7 minutes)

Round 6: “Fix” The Composition (5 minutes)

 

Day 2 - 2/2 Olive Spaceship

Round 1: Start The Composition (5 minutes)

Round 2: Challenge: Reduction Only (7 minutes)

Round 3: Challenge: Blind Marks - do not look at the plate! (7 minutes)

Round 4: “Fix” The Composition (7 minutes)

Day 3 - 1/2 A Cracker’s Prayer (Thai Food Gas)
Round 1: Start The Composition (5 minutes)

Round 2: Challenge: Reduction Only (5 minutes)

Round 3: Challenge: Use the other person’s color (7 minutes)

Round 4: “Fix” The Composition (7 minutes)


Day 3 - 2/2 Don’t Wait Until the Car Passes 

Round 1: Start The Composition (1 minutes)

Round 2: Challenge: Pick one color for the other person to use (5 minutes)

Round 3: Challenge: Break the compositional structure (7 minutes)

Round 4: “Fix” The Composition (7 minutes)

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